
Jackie Ferrara
Jackie Ferrara (b. 1929, Detroit, MI) began her career as a sculptor in New York City in the early 1970s, a time during which the theory of “the death of painting” was the prevailing cultural dialogue and the door was kicked wide open for artists to explore new and yet-invented mediums. Ferrara’s art extended the notion of traditional sculpture into the public, architectonic sphere. As Ferrara created monumental structures, many of which were designed to be physically engaged with, and intimately-scaled, highly refined maquettes, she shifted the language of the sculptural experience.
Jackie Ferrara has produced numerous monumental public and site-specific projects internationally, including those in Toronto (Ontario, CA), New York, NY, and St. Paul, MN; and at the Los Angeles County Museum of Art (Los Angeles, CA), Walker Art Center (Minneapolis, MN), Tufts University (Medford, MA), and the State University of New York at Purchase (Purchase, NY), to name a few. Ferrara’s works reside in the permanent collections of over 60 museums and public collections worldwide, including the Louisiana Museum (Humlebaek, DK), The Metropolitan Museum of Art (New York, NY), Museum of Modern Art (New York, NY), Crystal Bridges Museum of American Art (Bentonville, AR), and High Museum of Art (Atlanta, GA). Most recently, Ferrara’s works were included in Steel, String, Spit Bite: Selections from the LeWitt Collection at the New Britain Museum of American Art (New Britain, CT - November 12, 2021-March 18, 2022), and Dream Monuments: Drawing in the 1960s and 1970s at the Menil Drawing Institute (Houston, TX - May 21-September 19, 2021).
Jackie Ferrara is represented by Franklin Parrasch Gallery.

A213 Symik, 1980
pine
81 3/4 x 79 x 15 inches | 207.6 x 200 x 38.1 cm
Dallas Museum of Art, Dallas, TX

M155 4 Core Pyramid, 1975
Masonite
4 3/4 x 13 7/8 x 12 3/8 | 12.1 x 35.2 x 31.4 cm
Brooklyn Museum, Brooklyn, NY

A214 RESBA
wood
70 x 63 x 32 inches | 177.8 x 160 x 81.9 cm
Crystal Bridges Museum of American Art, Bentonville, AR

Drawing for Red Sands , 1994
graphite and colored pencil on paper
16 15/16 x 22 inches | 43 x 55.9 cm
Allen Memorial Art Museum, Oberlin College, Oberlin, OH

Stacked Pyramid, 1973
teated fir
102 x 163 x 48 inches | 259 x 414 x 121.9 cm
Neuberger Museum of Art at SUNY Purchase, Purchase, NY

Belvedered, 1998 (rebuilt 2003)
cedar
126 x 260 x 407 inches | 320 x 660 x 1,003 cm
Walker Art Center, Minneapolis, MN

Bench House, 1986
cedar
High Museum of Art, Atlanta, GA

A177 XF 34 XS 58 V A 114 V A 1, 1977
pine
22 1/2 x 38 x 26 1/4 inches | 57.1 x 96.5 x 66.6 cm
The Phillips Collection, Washington, DC

A 208 Juxtu, 1980
fir
33 x 92 1/2 x 23 1/2 inches | 84 x 235 x 59 cm
Louisianna Museum of Modern Art, Humblebæk, Denmark

M237 JH1-AR Courtyard, 1982
pine and poplar
11 1/4 x 27 x 27 inches | 28.5 x 68.5 x 68.5 cm
Metropolitan Museum of Modern Art, New York, NY

Tower for Castle Clinton: Tower and Bridge, 1979
pine
48 x 84 x 54 inches | 121.9 x 213.4 x 137.2 cm
Des Moines Art Center, Des Moines, IA

Stacked Pyramid, 1972
cotton batting with glue on wood
25 x 52 x 13 inches | 60.9 x 132 x 33 cm
Museum of Contemporary Art, Chicago, IL

Grey, Red and Yellow Pool Houses, 1994
ink, colored pencil, and graphite on paper
sheet: 22 x 17 inches | 55.8 x 43.1 cm
Smith College Art Museum, Northampton, MA

M128 CRA Pyramid, 1974
pine
10 x 10 1/2 x 9 7/8 inches | 25.4 x 26.6 x 25 cm
The Phillips Collection, Washington, DC

D71 Wall Corner and Floor, 1983
pencil, colored pencil, and felt-tip pen on graph paper
21 1/4 x 16 1/2 inches | 53.9 x 41.9 cm
Museum of Modern Art, New York, NY

A 203 KAHV, 1979
pine
102 x 3/12 x 31 1/2 inches | 259 x 80 x 80 cm
Indianapolis Museum of Art, Indianapolis, IN

A200 AJUT, 1979
pine
87 x 53 1/2 x 31 1/2 inches | 221 x 130.5 x 80 cm
Museum of Modern Art, New York, NY

Truncated Pyramid, 1973
cotton batting with glue on cardboard
72 x 24 x 24 inches | 182.9 x 61 x 61 cm
Museum of Contemporary Art, Chicago, IL

Stairway, 1973
cotton batting with glue on cardboard
32 x 37 x 70 inches | 81.3 x 94 x 177.8 cm
Museum of Contemporary Art, Chicago, IL

Tiered Circle, 1973
cotton batting with glue on canvas and plaster
10 1/2 x 21 1/2 Ø inches | 26.7 x 54.6 cm
Museum of Contemporary Art, Chicago, IL

Stairway, 1973
cotton batting with glue on cardboard
32 x 37 x 70 inches | 81.3 x 94 x 177.8 cm
Museum of Contemporary Art, Chicago, IL

A:4 161 C, A;C3, C, 1976
Masonite, in three stacked segments with wooden peg attachments between layers
7 1/2 x 25 3/4 x 25 3/4 inches | 19 x 65.4 x 65.4 cm
Smith College Museum of Art, Northampton, MA

Artist's Drawings to Titri, 1981
ink and pencil on graph paper
22 x 50 1/2 inches | 55.9 x 128.3 cm
Museum of Fine Arts, Boston, MA

Curved Pyramid, 1973
fir
35 x 61 1/2 x 16 1/2 inches | 89 x 156 x 42 cm
Rose Art Museum at Brandeis University, Waltham, MA

A188 Pylon, 1978
pine
60 x 28 1/2 x 19 1/2 inches | 152.4 x 72.3 x 49.5 cm
The Phillips Collection, Washington, DC

A211 TRANNIK, 1979
pine
33 x 102 1/4 x 15 inches | 83.8 x 259.6 x 38.1 cm
Worcester Art Museum, Worcester, MA

A201 Ribat, 1979
pine
86 x 52 x 20 inches | 218.4 x 132.1 x 50.8 cm
North Carolina Museum of Art, Raleigh, NC

Drawing for A188, 1978
ink on graph paper
26 1/4 x 21 inches | 66.6 x 53.3 cm
Museum of Modern Art, New York, NY

(D20) Concave Curved Pyramid (A and B) 1-76, 1976
ink, pencil, colored pencil, and felt-tip pen on graph paper
22 1/4 x 17 5/8 inches | 56.5 x 44.8 cm
Museum of Contemporary Art, New York, NY
EXHIBITIONS:
Drawing as Practice, National Academy of Design, New York, NY (September 14—December 16, 2023)
Drawings by Sculptors, curated by Carl D’Alvia, Helena Anrather Gallery, New York, NY (January 5—February 11, 2023)
Jackie Ferrara, Franklin Parrasch Gallery, New York, NY (March 24—May 6, 2022)
Steel, String, Spit Bite: Selections from the LeWitt Collection, New Britain Museum of American Art, New Britain, CT (November 12, 2021—March 18, 2022)
Dream Monuments: Drawing in the 1960s and 1970s, Menil Drawing Institute, Houston, TX (May 21—September 19, 2021).
PRESS:
“Art in Review: Jackie Ferrara.” The New York Times, April 21, 2000.
“Quandary on 7th Street.” The Washington Post, December 5, 1987.
“a marriage of art and industry.” The Atlanta Journal, November 7, 1986.