Franklin Parrasch Gallery is pleased to announce the reopening of Charles Ross: Light and Fire, which was interrupted during its first week due to the COVID-19 pandemic. Now on display until November 13, it is the gallery’s first solo exhibition of works by the renowned New York and New Mexico-based artist.

Charles Ross (b. 1937, Philadelphia, PA) was an undergraduate student studying mathematics at the University of California, Berkeley, when he serendipitously enrolled in a sculpture class to fulfill a liberal arts requirement; this course opened up the potential contained within the visual rendering of mathematical concepts with which he was deeply engaged. This conceptual notion led Ross to pursue a graduate degree in sculpture, and has since guided his artistic practice.

Between 1963 and 1966 Ross mined his interest in spatial geometry, movement, and the inanimate object, collaborating with postmodern performance and dance icons Anna Halprin, Yvonne Rainer, and Deborah Hay to create theatrical sets and develop choreography. Following a series of acclaimed performances, Ross refocused his practice to concern the medium and movement of light, soon beginning work on his seminal Prism series. A breakthrough in his artistic practice, these objects refract and distort light and image, and harness the intangibility of light to alter our perception of the everyday world. In the mid 1960s, Sol Lewitt encouraged Ross to approach Virginia Dwan, the vanguard dealer of Minimal art and Earthworks. Ross’ first exhibition at Dwan Gallery, comprising a group of Prism works, took place in 1968.

Ross began work on the Solar Burn series in 1971. Using a large lens to magnify and focus sunlight on meticulously prepared wooden panels, Ross explored the movement of the Sun by way of a burned trace resulting in what the artist describes as a “portrait of light”. The largest of the Solar Burns featured in Charles Ross: Light and Fire, titled 8 minutes, 19 seconds on, off, on, off…, pays homage to the amount of time it takes sunlight to reach the earth.

Like the Prisms, Ross’ Explosion Drawings convey the physicality of light through dispersal rather than concentration of energy. Ross created his first Explosion Drawings in 1982 alongside construction of  Star Axis, his monumental Earthwork observatory on a mesa in New Mexico. Inspired by the use of dynamite in  Star Axis’ ongoing construction, as well as various mathematical computations and theories, Ross arranged live detonation cords and powdered pigments on dampened paper as a means to create drawings instantaneously; following detonation, traces of the explosion are visible as scorched lines, and the subsequent “fallout” of spectrum pigments absorb into the surface of the paper.

Charles Ross is a 2011 Guggenheim Fellow and recipient of a 1999 Andy Warhol Foundation Grant. His works reside in the permanent collections of numerous institutions internationally including the Berkeley Art Museum and Pacific Film Archive; Centre Georges Pompidou, Paris; Des Moines Art Center; Indianapolis Museum of Art; Johnson Museum of Art, Cornell University, Ithaca; National Gallery of Art, Washington, D.C.; Nelson Atkins Museum of Art, Kansas City; New Mexico Museum of Art, Sante Fe; Penn Art Museum, University of Pennsylvania, Philadelphia; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. Recent museum exhibitions featuring Charles Ross’ work include  By repetition, you start noticing details in the landscape, Bâtiment d’art contemporain, Geneva (2019);  Spaces, National Gallery of Art, Washington, D.C. (2018);  Los Angeles to New York: Dwan Gallery, 1959-1971, National Gallery of Art, Washington, D.C. (2016-2017, exhibition traveled to the Los Angeles County Museum of Art);  Love Story: Anne and Wolfgang Titze Collection, 21er Haus and the Belvedere Palace, Vienna (2014); and  Ends of the Earth: Art of the Land to 1974, Museum of Contemporary Art, Los Angeles (2012). Ross is included in James Crump’s 2015 film  Troublemakers: The Story of Land Art, an official selection of the 53rd New York Film Festival, alongside other Earthwork artists such as Vito Acconci, Walter De Maria, Michael Heizer, Nancy Holt, and Robert Smithson.

Charles Ross: Light and Fire will be on view by appointment only at Franklin Parrasch Gallery, 53 East 64th Street, New York, NY, from October 8, 2020 – November 23, 2020. For images, biography, or to make an appointment, please contact the gallery at info@franklinparrasch.com or at 212-246-5360 during business hours: 10am-6pm, Tuesday-Saturday.