A primarily blue-grey monochrome square visible through subtle, pink-toned chromatic layers.
A primarily grey monochrome square visible through subtle, orange-toned chromatic layers.
A primarily blue-grey monochrome square visible through subtle yellow and green-toned chromatic layers.
A primarily purple-grey monochrome square visible through subtle orange-toned chromatic layers.
A primarily purple-grey monochrome square visible through subtle pink-toned chromatic layers.
A primarily blue-grey monochrome square visible through subtle yellow-toned chromatic layers.
A primarily dark, blue-grey monochrome square visible through subtle orange-toned chromatic layers.
A primarily green-grey monochrome square visible through subtle yellow and purple-toned chromatic layers.
An installation view of Anne Appleby’s Last Light (August), a primarily blue-grey monochrome square, and Last Light (After the Rain), a primarily purple-grey monochrome square.
A head-on installation view of Anne Appleby’s Last Light (August), a primarily blue-grey monochrome square, and Last Light (After the Rain), a primarily purple-grey monochrome square.
An installation view of First Light (Big World), First Light (Frost), First Light (New Moon), and First Light (Robin’s Return), four square paintings by Anne Appleby.
An installation view of First Light (Big World), First Light (Frost), First Light (New Moon), and First Light (Robin’s Return), four square paintings by Anne Appleby.
A head-on installation view of Anne Appleby’s Last Light (May) and Last Light (New Moon), two primarily blue-grey monochrome square paintings.